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'FemaleAuthorityandNarrativeVoice**Prof.** ContentsIntroduction1Outline2ResearchingFindings3FurtherStudy4 Introduction-SusanLanser’sTheoryAuthorialVoicePersonalVoiceCommunalVoiceFictionofAuthorityestablish&maintainauthorityinanumberofways“aquesttobeheard,respected,andbelieved,ahopeofinfluence”(Lanser,1992,p.7) Introduction-TillieOlsenTillieOlsen(1912-2007)AmericanJewishWriterYonnondiio:FromtheThirtiesIStandHereIroningHeySailor,WhatShip?O,YesTellmeaRiddleSilencesInitially1960s-1970sPresentformandtechniquefeministthoughtsthreedivisionsfeministthoughtssocialstrugglerootsadoptionintoaJewish-Americanliterarycanon UnnamedmotherBlackmotherAlvaRussiaJewishWomanEvaIStandHereIroningO,YesTellMeARiddle Outline ResearchingFindingsAuthorialVoicePersonalVoiceCommunalVoiceResistingMasculineNarrativeAuthorityFasteningAuthorityofMaternalNarrationEstablishingNarrativeAuthorityofMarginalizedGroup AuthorialVoice“Theauthorialvoicemayhavetheriskofbeingdisqualifiedifithasrepresenteditselfasfemale.Itispossiblethatwomen’swritinghascarriedfullerpublicauthoritywhenitsvoicehasnotbeenmarkedasfemale”(Lanser,1992,p.18).“narrativesituationsthatareheterodiegetic,public,andpotentiallyself-referential”(Lanser,1992,p.9). Fryeconcludesthatitisthroughtheuseofthefirstpersonthatwomenwritersachievethedualoutcomesoffemininityandauthorshipandcreateprotagonistswhoarebothfemaleandautonomous.(Frye,1986,p.47)“narratorswhoareself-consciouslytellingtheirownstories”(Lanser,1992,p.18)PersonalVoice “apracticeinwhichnarrativeauthorityisinvestedinadefinablecommunityandtextuallyinscribedeitherthroughmultiple,mutuallyauthorizingvoicesorthroughthevoiceofasingleindividualwhoismanifestlyauthorizedbyacommunity”(Lanser,1992,p.21).CommunalVoice singularformCommunalVoiceasimultaneousformonenarratorspeaksforacollectiveaplural“we”narratesasequentialformindividualmembersofagroupnarrateinturn ConclusionInterruptions&ObstaclesAbsenceofFemaleVoiceandPresenceofFemale’sOppressionMotherhoodExperiencesThreeVoicesFemaleRealitiesAuthorialVoicePersonalVoiceCommunalVoiceInternalStrugglesSuppressedDesires FurtherStudyBesidesmultiplevoices,therearemanyothernarrativestrategiesemployedinherworkstorevealherabidingthemewhichcanbestudiedindepth.Theremustbemoreworkswrittenbyotherfeministwritersthatcanbeanalyzedfromtheperspectiveoffeministnarratology. References ThankYou!'